Posted on November 15, 2016 10:58 am by Portland Baroque Orchestra
Mozart wrote, in 1777, a letter to his father: “Die Orgel ist doch in meinen Augen und Ohren der König aller Instrumente” (“The organ, though, is in my eyes and ears the king of all instruments”). From 1300 to 1800, for half a millennium of music history, the organ, alongside its keyboard siblings, has maintained the role of a principal: setting the point of reference and ruler to many parameters of music making, such as pitch, Read More » »
Posted on October 21, 2016 1:04 pm by Portland Baroque Orchestra
|Regina caeli laetare, alleluia:
Quia quem meruisti portare, alleluia:
Resurrexit, sicut dixit, alleluia:
Ora pro nobis deum, alleluia.
|Queen of Heaven, rejoice, alleluia.
For Him whom you were worthy to bear, alleluia.
He has risen, as He said, alleluia.
Pray for us to God, alleluia.
|Spargite flores, spargite lilia.|
Induimini omnes cum sanctis Angelis
vestimentis Read More » »
Posted on October 13, 2016 9:29 am by Portland Baroque Orchestra
When people of exceptional skill develop their ability at a young age, should we put them straight to work? Clearly that was acceptable practice two centuries ago with respect to musical prodigies, and to some extent we still allow it in certain instances, such as fourteen- or fifteen-year-old tennis players, footballers, pop musicians, classical violinists, and pianists. The usual Read More » »
Posted on September 22, 2016 3:05 pm by Portland Baroque Orchestra
The 2016-2017 concert season is just three weeks away. There are three very important events in October alone. You’ll find everything you need to know about these opening events, below, as well as a complete list of everything to come this season.
We kick things off with a chance to have Lunch with Monica Huggett and the Members of the Orchestra on October 13. Come, listen to their stories, and let their passion and personality bring Read More » »
Posted on September 1, 2016 8:14 am by Portland Baroque Orchestra
The sonatas on this recording are by three of the most important masters of the instrument in the 17th century. Biagio Marini is, together with Giovanni Battista Fontana, undoubtedly the most innovative composer for the violin in the first half of the Seicento, and his reputation as a violinst was considerable on both sides of the Alps. He held positions in his native Brescia, in Parma, at Saint Mark’s in Venice, as well as Milan, Read More » »
Posted on August 31, 2016 8:45 am by Portland Baroque Orchestra
By the middle of the 17th century, the standard instrumentation of small-scale concerted music with a solo voice was two violins and basso continuo, with or without an obbligato bass instrument. This reflected the growing popularity of string instruments and the parallel and related decline of the cornetto. In the first couple of decades of the century, however, it is fairly common to find works calling for a single obbligato soprano Read More » »